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Timestamps would be great 👍🏻

Thanks for the info!

Mmm ,well the much easier way as a comparison , is just bring in a large LED panel light , Intelly Mega 6/8 or the Bigger Godox ones . Thats one stand , and the same an evenly lit diff frame , thats impossible in small locations like you have there . If folks are getting paid extra to set up book lights with 8 C stands and flag forest , then Im all for it , if you are doing yourself or with an assistant , and the idea is to get a good soft key , shoot the interview and get home ,get a LED panel light . Way too much voodoo these days about books lights with the cool kids not really understanding why they were invented in the first place and how to set them up ( ie not bouncing light into the ceiling like I see a lot ) and how large LED panels lights are the same thing made a hell of a lot easier .

I have mixed feelings about political content on the lighting channel. I came here for lighting knowledge, not politics. I was hoping for the dissection of the shoot of this add and it never happened :(.

I know this is a rough test but at 11:20 you can see how bumping the stop completely changed your background. Also there was spill on the background during the 6x6.

I am curious what percentages you were at with the silver back airglow and 6x frame vs the softbox 6x double break. Knowing the efficiency here would be enlightening! Thank you for the demo!

Two PAs

The 6x6 was too close to the dop choice air glow compared to the bounce in the traditional book light hence why it was less soft

Great work Luke! 🙌🏼 🎥 😉

sorry this is maybe a dumb question. So everything is probably 5600k balanced right? When you brig in the muselin would you change the color temp? Ot leave it at 5600k to get it even warmer looking with the muselin ?

Anyone that tells me they are pro-life I thank....for supporting free, easily accessible and socialized birth control. They always have a quixotical look when I do.

Have you tested the Lux vs the Amaran 200x s?

To me its an LED Zip light....looks like the old fashion Mole 2K zip light...

Nice interview! Thanks a bunch! Luke, did you worry about turning the Dyno 1200c all the way up in the Air Glow? Maybe I'm overthinking it, but I would think it could burn through the inflatable tubes at the bottom at higher intensities.

Would love to talk about someone over there about reviewing one for my Nova 600's that I own.

I can't wait for the Vortex4 version is available! Thank you for sharing!

❤

Seems not to work with Nanlite 2x1 (120C) for some reason, I wonder if they do not list it because it's not a professional light or it's too heavy to work with it. Also when I see "get a quote" I'm a bit scared I won't be able to afford it :D.

So nice of Martin he agreed to this interview ... :D I thought I got all the modifiers, I was wrong ... :D

Awesome Interview guys, can't wait to check out the Air Glow.

Such a great interview! Thanks for doing this.

Do you have any update or additional thoughts all these months later?

"big hairy problems..." 🤢

Do you mind me asking: why build a huuuuge lighting setup, when you block 3/4 of it in the end? Am I missing something or would a much smaller setup (like a large softbox with good internal diffusion) have a comparable result?

Very nice testing. I like the Open Face booklight the best, but it's negligible to the Nanlux book and CRLS. That Godox seems to have cooled up your face quite a bit. And looking at the background to your face, it's for sure that light. I like comparing the catch light as well. The CRLS system is great, I mean it's filmmaker dependent, but I tend to like that slight more contrasty fall off than the wrap around of a panel light. Having just stepped into the CRLS game myself .... I look forward to doing more with that system. As usual, thank you for your time to share your tests.

every week i am setting up at a new venue and typically relying on standard outlets. i use a klein circuit tracer with usually successful results but it isn’t always reliable. i would love a safe way to intentionally trip a breaker. is there such a device? a box that ‘shorts’ or hyper loads an outlet to more easily find the breaker. much like a gfci tester does.

Hey really nice work! I want to buy some lights for professional work and im wondering how much power I need. If you dont mind the question. In your experience in how many shoots percentage wise do you need light above 500w?

Thanks for the feature Luke!

Once again, great vid Luke!!! 👍🏽

Nice facility. Does Eric supply banded for his cam-lock distro or would you need to bring your own? (note: large HMIs might be overkill in that place)

Such a clean space. Love it!

It’s all too expensive! I make feature length movies with birthday candles and trying to remember really hard. (I rub my eyelids for special effect.) 😂 But seriously, I see this subframe stuff, think about how it might work, get stumped, and I’m just amazed it’s available at any price point. Do people really complain about the “high cost” of professional film and video gear?

Awesome! Looks top clean. All black C-stands 😎

I’m pretty happy to be considered an “old friend”. Love ya bud. See ya on the next one

Sub frames 😵‍💫 my poor feeble brain, suddenly i'm feeling very old.

I was WOW ... at subframing, but when I've seen the tracking with LiDAR I was ... WOAH :D

Cool stuff Luke! Love the dino shirt

That sub frame tech sounds wild haha

Hi Luke, I saw you, your buddy Andrew Lock, and the Guy from “Gaffer Salon”, on an Aperture Lighting Panel a few days ago. Wow, I really love it when Gaffer’s get together and talk to each other; I learn so much! I watched both days of the show on the Aperture RUclips Channel. Also, I joined the “Gaffer’s Salon” on Facebook a few days ago; so far it’s been a great resource! Take Care, and have a good day. Mathew A Coulliette

Thank you Luke. I always appreciate you videos. On this one however, the open window is providing a healthy amount of ambient light which would become more influential whenever you darken the 1X1 with cloth. I suspect the softness change would not be so great if no other source, existed, (except for when you moved the diffusion closer to the subject since then the light can better wrap the subject.

"simple setup" :D

Look like lights for gaffer are like claps for woodworker ... you can never have too much :D.

Hi Thanks & God Bless bro - why is it that the 3ft dome on the shadow of the head looks brighter than the 5Ff which is a larger source?

Brillant!! 👏👏👏

Where to buy🤗

I love this. Would love to see more of these kinds of chats on your channel, Luke! Cheers ~

Have fun guys

Hi Luke, How are you? I hope you’re doing well. Your want-to-be-gaffer! I have made some good progress in the last couple of days. I have 2 Aputure 300x’s and 2 Aputure MC-Pro’s; (this is not new). But recently I have bought… Blackout Lighting Console Next for my iPad Pro - $800.00 (3) Godox CRMX Receivers - $200.00 each ($600). (They are powered by an USB port on the light. No Battery.) (1) Aputure Sidus One (Converts WiFi to CRMX Transmitter) - $400.00. (Brand new just got mine Thursday.) Just got everything working this afternoon. (Friday). I always appreciate you taking the time to answer my questions and I wanted to share this news with you. Mathew A Coulliette

the band is back together!

Great